
At the time of his retirement, from
the Portland, Maine police department, he supervised all homicide and violent
crime investigations for Maine's largest city. Bruce also spent four years
working counter-terrorism with the FBI, where he earned the Director's Award,
the highest honor a non-agent can receive.
THE INTERVIEW
Before
launching your writing career, you worked in law enforcement for twenty-seven
years. With that incredible base of knowledge, did you find yourself staying
completely accurate to police procedure? Or did you take any liberties for the
story? What was difficult about knowing the real world of law enforcement so
well?
I try to
incorporate as much reality as possible into my novels so that they read true
to folks in the law enforcement field and to those with no experience
whatsoever. That said I will take liberties for the sake of good storytelling.
For example it would be rather tough to build excitement if I made John Byron
or Diane Joyner wait a year or more for a DNA comparison. (That would slow the pace a bit! I’m always amazed when I interview
experts how long things take in the real world.)
I think
there's just something about Maine that makes for good mystery writing. It's a
huge area with a relatively small population. People love to say it’s a small
world. Maine quite literally is a small world where everybody knows everybody
else. That closeness and familiarity can create great motives for murder. Plus
as a mystery author it's fun to create chaos in the midst of Maine's tranquility.
(And such a beautiful state!)
In your first Detective Sergeant John Byron
novel, your victim is a police officer, in the second it's a lawyer, so you
went with people who have careers that intersect with criminals. What made you
choose those two professions for your victims?

In the second novel, Beneath the Depths, I set out to paint a
picture of what it’s like to try and solve a murder when the victim is a
despicable person. As I often tell people, police officers aren’t allowed the
luxury of picking and choosing which homicides to investigate. Many homicide
victims become victims as a result of their own vices and lifestyles. In cases
like the Ramsey murder, detectives have to constantly remind themselves that no
matter how bad the victim was there is still someone worse out there. The
killer. (Great point. I’ve never heard it
phrased that way, “there’s someone worse out there” … filing that one away! J)
In addition to the police force, after 9/11,
you also worked alongside the FBI in counter-terrorism. How different was
working with the FBI versus the police department?
Not as
different as you might think, except for the travel. My FBI assignment dealt
specifically with counter-terrorism (CT), which is of course very different
from criminal investigations. Criminal cases are generally investigated
after-the-fact, while CT cases are more intelligence based, directed toward
uncovering or preventing a crime in the making. (A lot like mystery vs. thriller!)
But
working with the FBI was just like working for my own department. Both agencies
are comprised of the same type of men and women, people who want to make the
world a safer place for everyone. I really enjoyed my time working with the
FBI. Much like the PD, they treated me like family and I forged some lifetime
friendships along the way.
Do you believe there is a "type" of
person who goes into law enforcement? Are there characteristics that all police
detectives/FBI etc. have? What makes the best detective? The best beat cop?

What are you working on now?
At the
moment I’m hard at work on the manuscript to Byron #3, tentatively titled BEYOND
THE TRUTH. In this novel Byron will face his biggest challenges to date, both
personally and professionally. It is my hope that this book will generate a lot
of meaningful discussion.
Final words of wisdom:
And here I
thought the last question would be the easiest. Stick with it. That’s the key
to this business. Getting noticed is hard. There are many good writers out
there already. Find something that you care enough to write about and then put
your heart and soul into it. Repeat. That’s all there is to it. Work at it
constantly. Tess Gerritsen once told me that writing novels is a marathon not a
sprint. She’s absolutely right. If you’re not ready to put your heart and soul
into it, then you’re not ready. Write on!
Great final words, Bruce. Great to have you
here, I’m enjoying your first novel very much.
Best of luck with the new book!
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