Stories have arcs. Characters have arcs. Writers have arcs. We write, we get better at our craft. We read, we get better at our craft. We interact with other writers and our readers, we get better at our craft. Whether you are a professional writer or just starting out. Hobby or career. We are all in this together. Welcome.
Contact: Elena Hartwell - firstname.lastname@example.org and visit me on the web at www.elenahartwell.com
Single mom Kristy Tucker works as a press agent for the Texas Department of Corrections -- handling everything on death row from inmate interviews to chronicling the last moments during an execution. Her job exposes Kristy to the worst of humanity, and it's one that's beginning to take its toll.
So when Kristy meets Lance Dobson, her son's martial arts instructor, she believes she has finally found her happy ending. She's wrong.
Kristy soon discovers that Lance is a monster. Forced to endure his verbal and physical abuse, Kristy is serving her own life sentence...unless she's willing to take matters into her hands. Perfectly poised to exploit the criminal justice system she knows so well, Kristy sets out to get rid of Lance -- permanently.
The Walls explores domestic violence, the morality of murder, and how far one woman will go to protect her family.
Asimov's magazine while still in junior high school. Several years later, she took a creative writing elective at Penn State University and was hooked. She received her BS and MD degrees
When she sat down to write her debut thriller, she spent some time rediscovering her favorite physician writers. From the deductive reasoning of Sir Arthur Conan Doyle to the cutting edge science of Michael Crichton, she remains inspired by facts that lie on the edge of reality: bizarre medical anomalies, new genetic discoveries and so on. These form the backbone of Type & Cross.
When Seph is deployed to an abandoned air hangar turned medical shelter during a massive hurricane, her worst nightmares come true. One by one, as the wind howls overhead, staff and evacuees disappear into the dark recesses of the vast space. The missing return as mutilated corpses. The living, trapped in the shrieking metal structure by the storm, descend into varying levels of paranoia and even madness. Seph must become both counselor and detective to determine who, or what, is calling them prey. Is the panic and mayhem just “shelter shock,” as the lead physician, Anne Parrish, insists? Or is everyone, Seph included, in danger of losing their minds—and their lives?